Researching Vertov and his contribution to documentary film making, I have now comprehended the fact that documentaries can contain creative shots, whilst maintaining to depict actuality. Vertov's innovative editing techniques such as inter-cuts and split shots demonstrates a representation of documentary in a creative way, rather than just limited to traditional codes and conventions of documentaries. Vertov has inspired me to think creatively in my own approach for documentaries, and consider what editing and shot types I could include, whilst still maintaining a documentary that shows actuality.
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